Thursday, August 20, 2009

Part 27: Exuberant Gruesomenes

Contributor:
Edmund Callipeaux – artist, college instructor, lives in St. Louis Park.
________________________________

19 August 2009, 6:30pm

Owing to the G to PG nature of this blog, and given our aversion toward garnering cheap laughs via the employment of bathroom humor, our writers have steered away from subjects pertaining to bathrooms and what goes on therein (e.g., pooping, peeing, farting, etc., etc.).

With that in mind, I say to you:

I have a bathroom story.

A story that takes place in the spring of 2005....

By way of a primmer, I would also like to say that I have made a study of bathrooms for many years. It is my policy to pay attention to the condition of public restrooms (both in my hometown and while traveling) and to make note of the ones that are reliable, the ones to avoid, and the ones to make sure that I never find myself returning to for any reason on Earth.

For instance, Airports: Chicago’s O’Hara airport has surprisingly nice bathrooms, while Los Angeles’ LAX, unsurprisingly does not have nice bathrooms. People other than myself will agree that LaGuardia has worse bathrooms than JFK, and I don’t even want to go into the conditions at the Newark airport. Minneapolis has bathrooms that are tough to predict…which is probably the worst qualifier that can be assigned to a public restroom (dependability is paramount). Lastly, the entire Orlando airport is a mess (including its bathrooms) so, make sure that you have a HAZMAT suit in your carryon luggage if you find yourself traveling via aeroplane to the Sunshine State.

I find that’s it’s good to be privy to information like this, especially when traveling and not on your home turf. Places like Chicago, for instance. Stay away from the basement bathrooms under the main grand staircase, just inside the Michigan Avenue entrance to the Art Institute of Chicago. Don’t ask me why, but they keep the year-round temperature set at about 95° down there and it makes for a bad mix of heat and badness. However, take a turn up north from the Institute to a bar on Clark and Belmont called the L&L Tavern. This watering hole is ranked highly on several lists of best dive-bars in America, and it has tremendously clean bathrooms. And also, it’s worth mentioning, that the bathrooms are top-notch at the Museum of Contemporary Art, in Chicago - - well worth the price of admission.

The Walker Art Center has nice bathrooms (the ones near the old Guthrie entrance used to be especially nice). The restrooms right at the main entrance to the Minneapolis Art Institute are killer - - make sure you plan a little time at the beginning of your visit so that you can prepare yourself to look at all that great art! The Museum of Contemporary Art, in Los Angeles, has terrible bathrooms, which wasn’t a surprise to me. MoMA, in New York is chaos. And by that I mean, Chaos, period (the bathrooms and museum alike). The Met has good bathrooms that are easily accessible throughout the museum, and the Whitney has bad bathrooms that are stuffed all the way down in their terrible basement.

This is important stuff to know. When traveling, things can get a bit dicey if the bathroom situation isn’t right. And by right, I mean that when I’m away from the privacy of my own home, I get rather particular about certain things.

I also have it on good authority that the bathrooms at the Louvre, in Paris are good. This brings use to Europe….

However, before I digress any further into the Continental bathrooms of France and beyond, I feel that I must yield (although, there are some terrible bathrooms in Italy that you should know about). It isn't really my goal to impress upon you my vast working knowledge of the State of Bathrooms, at home and abroad, but rather, by listing my observations, it has been my hope that you’ll understand how I regard a reliable restroom. For me, it breaks down to this simple formula: clean and private = heaven.

This brings us back to our story and to the year 2005.

I was teaching in the art department at a mid-sized college of about 6,000 students, in Rochester, Minnesota. This college was not an art school. Most of its students took art classes as electives, and thusly, the art department was rather small. We crazy art teachers shared our offices with the English and Nursing Departments. It was a great place to teach…and I loved it.

Now, given my aforementioned pickiness toward bathrooms, one of the first things I did after being hired was to seek out the secret bathroom on campus. Every institutional building has one or more of these select bathrooms. They are the restrooms that are down rarely traversed halls. They’re across the way, or around the corner from this or that office, or placed in a part of a building that is vacant much of the day. They’re an oasis of serenity within the beehive of a college or a business or a museum. And, over the years, I have discovered that they are commonly hidden within plain sight. For instance, the one I found at this particular college was directly to the left of the main entrance to the building where I worked. For some reason, everyone broke to the right upon clearing the building’s vestibule, so, the location of this valuable bathroom remained a secret.

It was perfect.

Having found this bathroom, I set up shop on campus and happily taught my classes. It was a great job, and like I said earlier, I loved teaching there.

One day, like many others, I found myself in urgent need of my secret bathroom. I had just finished teaching a class and I had a little personal time before the afternoon session. The building was quiet and no one seemed to be around, so I made my way downstairs and through the shadowy halls of the first floor, all the way down to my bathroom. Throwing open the door, I walked in. However, I was disappointed to find that I was not alone. Another guy was washing his hands at the sinks. Thinking fast, I coolly walked over to the sinks and pretended that I just needed to wash my hands. Turning on the water, I watched through the mirror as the guy dried his hands and exited the room. As he reached to open the door, he bent down slightly and picked up the backpack that he had left lying on the floor.

Let me ask you this:

How can anyone set a backpack on a public bathroom floor? And then, how could they pick it up and throw it over his shoulder without first boiling it in water for an hour? I’m freaking out just thinking about what was on that guy’s rucksack. Yikes!

Anyway, I washed my hands until the coast was clear. And then, I had the place to myself.

Walking across the room, I stepped into a stall. Sitting down, I looked forward and saw the institutional grey-colored door with some half-hearted graffiti scratched into the paint. I thought to myself, “This graffiti is terrible, our art students need to get serious about their studies, and quit goofing around.”

And then there was noise.

Like I said earlier, this is a G- to PG-rated blog. So, all I can say about this noise was that it was coming from me (or the vicinity of myself) and that it was horrible. It totally took me off guard. A shocker!

Ka-Bam, Ka-Pow!
Let’s just say this: I grew up in St. Paul, and we don’t talk about bathroom stuff like this in St. Paul. It’s not polite. And to describe the sounds and smells of what was happening that day, in that bathroom, would be not polite, cubed. Your author (me) is the type of guy who is actually somewhat embarrassed and semi-self-conscience about even buying toilet paper in a grocery store. I try to hide it under the cart like I’m the only misfit in the place that would have any use for a jumbo pack of 48 rolls.

All I can say is that the sounds and the smells that were happening in that bathroom were both surprising and appalling. It was horrible. As I alluded to earlier, I’ve been in a lot of restrooms over the years, and as I sat there that day, I unwittingly became the reason why this particular bathroom now ranks as one of the worst I have ever visited.

As time passed, and the craziness from below seemed unending, I kept thinking to myself, “How the hell much longer can this keep going on?”

And at other times, I thought, “Holy Toledo, that smell is terrible!”

While other times I found myself thinking, “My God!”

Just as I was thinking, what is wrong with me, I heard the door to the bathroom open.

I held my breath.

“Oh no,” I thought to myself.

As the footsteps made their way toward me, I couldn’t stop what was going on down below. My toilet bowl amplified its myriad of sounds into the greater room, which then, due to the ceramic-clad walls and floor, reverberated into shocking tones that would make dogs howl.

Above all these sounds and smells emanating from my stall, or rather, rents that torn at the air, I heard the mystery person shuffle to a stop near my door.

I bent my torso down to look at my feet in an attempt to make myself as small as possible. Seeing my shoes, I thought to myself, “Oh no, my shoes are covered in paint! I wore my painting shoes to work today! If the guy has seen under the stall, he probably knows who’s behind all this terribleness - - I’m the only person on campus who is ever seen covered in paint!”

Just then, as my last vestige of anonymity and privacy was fading, I heard the door to the stall next to me open and the mystery person moved inside.

Despite the presence of this mystery person, I couldn’t stop things from happening. It was horrible and loud and unstoppable. I don’t want to belabor the point, but in a way, it was remarkable - - terrible, but remarkable. So remarkable, in fact, that I could barely bare myself - - and I’ve bared myself for years.

Just when I thought that everything was lost; that the word would get out, and I would be identified, and therefore forever laughed at (and ostracized) by the entire student body; that my boss would hear tell of my bathroom debacle and forever shun me from her good graces.... Something happened. Just as I was hearing the doomsday whistle blowing in my head, I also heard the mystery man make a sound.

I heard a sound, or perhaps, it would be more precise to say that I heard a noise. A noise that is reminiscent of a sucking sound of fluid where the mixture is one-half air and one-half liquid. Or, more specifically, it was the sound of a guy in the stall next to me sucking the last of his soda pop out of a Styrofoam cup with a plastic straw!

It was an unmistakable sound that we’ve all known since we were little kids!

I don’t know if it was Mountain Dew or Mr. Pibb, but the guy was finishing off his soda despite the exuberant gruesomeness that was being generated from me, his neighbor.

And our story doesn’t end there.

Things on my end went from bad to worse. And yet, even though all manor of embarrassing and unmentionable things assaulted the senses, my neighbor set himself to getting every ounce of sweet candy-like fluid out of that cup. In my horrified laughter, I sat back with tears running from my eyes as things continued to happen beneath from where I was positioned. Fearing an aneurism, I eventually had to calm myself down as I heard my gentleman neighbor shaking the ice in his empty cup, in quick succession, from side to side, and tilt it back in hopes of getting at that last bit of Mr. Pibb remaining in the cup.

And as abruptly as the whole event began, it ended. Whatever was going on with me, it stopped. My business concluded, I exited the stall and turned toward the sinks. Looking down, I saw the aforementioned soda pop gentleman’s backpack sitting on the floor of the bathroom. It crossed my mind that perhaps I should take a look at what he’s carrying while he’s still busy finishing off the last of his ice cubes. But, then I thought otherwise.

So I washed my hands and silently left the room. – EC

Friday, August 14, 2009

Part 26: Accounts of the Life of Edmund Callipeaux

Contributor:
Edmund Callipeaux – artist, college instructor, lives in St. Louis Park.
___________________________________

14 August 2009, 4:30 pm

For years, I’ve wondered why there is a blue line bisecting every Home Depot parking lot at about the two-thirds point. If you’ve never noticed one of these lines, it’s a thick, cobalt blue stripe that’s about a foot wide, and it runs parallel with the face of the storefront as it stretches from one end of the parking lot to the other.

What does it mean?

Why is it there?

Does it symbolize something? Like some sort of cheap discount version of a Home Depot brotherhood that is similar to the thin blue line with cops? Or, does it signify something like the Rose Lines in that Leonardo da Vinci Codebook, where it’ll lead you to something like the ancestors of Jesus?

I’ve pondered this question for years, and the other day I found my answers. And unfortunately, the truth behind the blue line is even less interesting than either of those two possibilities.

I was talking on the phone with Killdozer as I pulled into the St. Louis Park Home Depot. Noticing the blue line, I asked him if he knew anything about it.

“No,” was his reply.

“I doubt that it marks the location of buried pirate treasure,” I said.

“Yeah, that’s usually done with an X,” Killdozer said.

“True,” I said.

“Right,” he replied.

“Well, I’m going to get to the bottom of this today - - once and for all! It’s been driving me crazy for years,” I exclaimed.

“Good luck, I’ll bet no one in the store knows the answer,” continued Killdozer.

“It's probably a mystery that's been lost to the ages,” I mussed as I hung up the phone.

Marching into the store, I walked right up to the first person in an orange uniform that I saw, and I announced to him, “I have a question.”

“Yes,” replied the man.

“I have a question…and I want you to know that if you lie to me, I’ll be able to tell,” I pressured the man.

“How can I help?” he replied.

“Do you know why there is a blue line painted out there in every Home Depot parking lot?” I asked.

“Employees aren’t supposed to park on this side of the blue line,” he answered.

“Really?” I said.

“Is there anything else?” asked the man.

“No, I mean…where are the toilet seats located? I mean, I can’t believe that it’s just so that employees don’t take up all the good parking spaces,” I said.

“Toilet seats are in isle 7, all the way down at the back of the store,” replied the man as he went back to organizing lawn furniture that was on sale for half-price clearance.

So, that’s the story of the blue line - - a BIG disappointment.

It doesn't ward off some sort of evil curse. It doesn't have anything to do with some secret underground organization. Neither does it have anything to do with visitors from outer space. And it has nothing to do with the military trying to control our minds.

It's a parking sign.

Very disappointing. But, that seems to be the nature of things these days. And by that I mean, that if you’re like me, and you go around solving mysteries all day, you’ll soon find that most of them turn out to be pretty boring. – EC

The Non-Mysterious Blue Line

Sunday, August 9, 2009

Part 25: Our Only Regret

Contributor:
Kidpowertool – unemployed dairy professional, lives in Key West, FL.
________________________________

7 August 2009, evening

Earlier this afternoon, I found myself at the St. Louis Park Triple-A office with Edmund Callipeaux and his strange friend, Merle Higgins. I’ve been visiting the Twin Cities for the past ten days, and while preparing for my return flight home, I realized that I was in need of some new luggage. Edmund told me that the AAA office has a large travel area that sells maps and all sorts of other travel related stuff, including luggage....

“Plus, I have to get my tabs renewed and they have a DMV office in the same building,” explained Edmund.

“Ah, the Department of Motor Vehicles! The grand equalizer,” I replied. A sentiment that is similar to what Andy Warhol said about Coke. And by that I mean that it doesn’t matter if you’re the Queen of England or some slob walking around downtown Cleveland, if either of you buy a Coke, you’ll each get the same thing. The DMV has the same power, no matter who you think you are, the DMV doesn’t care, and you’ll have stand in line just like everyone else.

As it would also happen, Merle Higgins was waiting on line when we arrived at the St. Louis Park AAA DMV. He was there to get his picture taken for a new license. Saying hello, we took a number, and the three of us chatted while we waited - - and as luck would have it, I found the perfect carry-on suitcase in the AAA travel shop. Cheers.

With our business concluded, the three of us took our leave from the elegance of both Triple-A and the DMV. Clearing the doors of the building, however, we saw from a distance that Edmund had left his truck’s headlights on during the 1+ hours we were in the building. Running down the sloping blacktop of the parking lot, Edmund hopped into the cab of the truck, and quickly turned the key. Thankfully, the engine fired up after a slight hesitation.

“Whew, that was lucky,” said Edmund.

“What if the battery had been dead? Can you imagine calling Triple-A from the Triple-A parking lot?” I replied. “How embarrassing.”

Edmund asked, “I wonder if we could have just gone inside and asked for a jump?”

“Are you kidding me?” replied Merle, “Those idiots in there wouldn’t have known what to do with you.”

“Easy, Merle,” I replied.

Ignoring Merle, Edmund said, “I wonder if they would have made me call the Emergency Hotline if I had gone inside the AAA office?”

“Yeah, I bet that they would have asked your location despite the fact that you were standing right in front of the guy as the two of you watched each other talk to one another over the phone!” I said laughing while I leaned against Edmund’s truck.

“Would you two morons shut the heck up and grab yourselves a cold Pabst?” blurted Merle as he reached into the bed of his pickup and threw open the lid to a blue cooler.

The situation with Edmund’s nearly dead battery reminded me of a time long ago when Edmund’s truck completely died in the parking lot of his old art studio. It was mid-August in the year 2000 - - a day like many other summer days in Minnesota: the sun was intense, it was humid, and it was hot. We ended up calling AAA for a jump, and what should have been a simple task turned into something that I’ve regretted ever since. In fact, Edmund and I both agree that what transpired that day, or rather, what didn’t transpire that afternoon constitutes the one and only true regret either of us have in life.

Like mentioned above, the setting for this story goes back to an old art studio of Edmund’s. It was the year 2000, and Edmund had rented a 1000 square-foot space in an old, rundown Minneapolis warehouse, near the University of Minnesota. The building was in a no-man’s-land-industrial area populated by railroad tracks, boxcars, and massive grain elevators that seemed as grand as the Pyramids of Giza (and there was wildlife too, like geese, woodchucks, and skunks - - I’m not kidding, there was a skunk that lived behind the warehouse!). Even though it was in the heart of the city, there was a dirt road leading to the building. For an art studio, it was Heaven on Earth. Turning off the main drag of University Avenue and heading north on 25th Street and up into the rail yards that surrounded the warehouse was like passing into a bygone era, when Minneapolis was still on the edge of the Wild West.

Within this warehouse, seven individual floors and 4 bathrooms supported about 50 or so art studios. The inhabitants of the studios were sculptors, print makers, painters, photographers, drawers, and the like, as well as musicians, performance artists, and other artist-type people. Or, more accurately, the building was populated by:

1/3rd professional artists;
1/3rd insane people;
1/3rd crazy people;

In my experience, pretty much the same demographic breakdown can be observed in any artist studio warehouse space. The professional artists and the crazy people are generally fun to meet and hang around with - - however, you’ve got to watch out for the insane people. They can be trouble.

When Edmund moved into his studio on the sixth floor of this building, he soon found that his neighbors matched the appropriate ratio of professional to crazy to insane people. Quarter Dutch, a friend of Edmund’s from college had the studio to the east (professional), some guy named Chuck had the space across the hall (insane), and a guy named Antonio had the studio to the west of Edmund’s space (crazy).

Antonio was from Spain. He played the clarinet and he was living in the country illegally due to his recently expired visa. He was squatting in his studio space where he had a makeshift darkroom as well as a bunch of old couches and chairs and rugs and a mess of other junk that he had found in dumpsters around town. He burnt his food nightly on his hotplate and showered a few times a week in the bathroom on the forth floor. He wasn’t tall and he wasn’t short. He had dark hair and intense eyes that darted around as he spoke. He was thin and jumpy and his clothes consisted of various ragtag layers that were held together with a big floppy straw hat. He spoke with a thick Spanish accent and waved his arms around a lot while he welcomed Edmund to the building.

Even though Antonio had a darkroom in his studio, he wasn’t much of a photographer. Or, perhaps I should say, that we didn’t see many photographs coming out of his studio. What we did often hear coming out of Antonio’s studio was the sound of Antonio’s amazing clarinet playing. Late at night, for hours on end, the halls of the building would be filled with the most melodic, wandering, and hauntingly beautiful clarinet music.

Antonio was a true character. He was the type of resident crazy person that every artist studio warehouse needs to maintain its legitimacy in the art world. He’d become very excited when he showed off his photographs. He beamed as he introduced us one day to a bunch of his mysterious-looking friends who were traveling from Europe. He was the kind of guy who always had something going on – always something important to do – and yet, he could sit idle in his studio for days and days and days. He was flighty and sincere…a rare combination to find in a person.

The day of our Great Regret began like any other uneventful August day. It was summer, it was hot, it was humid, and there wasn’t much going on. The Dog Days of Summer, as they say. Edmund and I had spent the morning working on a project in his studio. However, walking out to the parking lot, at about noon, we found that Edmund’s truck wouldn’t turn over because he had left the headlights on all day.

“Damn battery!” cursed Edmund.

As Edmund was trying the engine, I caught a glimpse of Antonio in the distance as he drove away from the building in his old Volkswagen campervan. That lucky bastard had one of those Sixties-era vans with the split windshield and the big old chrome VW symbol between its headlights. I think that it was light blue with a cream-colored top. At any rate, Antonio was crouched forward at the steering wheel wearing his big floppy straw hat while the van sputtered and puttered along making that sound that only old VW engines make.

“I better call Triple-A,” said Edmund, “This thing is dead.”

He made the call and we waited by the truck. “There’s no way that the driver is going to find us. No one knows this part of Minneapolis…there’s not even an address on the building,” complained Edmund.

Sure enough, about an hour and a half later, Edmund got a call from an irate tow truck driver who was lost in South Minneapolis. “No. We’re over by the University, in Southeast Minneapolis,” Edmund patiently replied.

Boredom set in as the sun beat down and we both began to worry that we were going to get screwed out of having a decent lunch.

Finally the tow truck driver called a second time to say that he had figured out where we were and that he’d arrive at our location within 5 minutes.

We were saved!

However, not two minutes had passed since that phone call when Antonio puttered back into the parking lot in his old VW. He haphazardly stopped the engine and left the van saddling two parking spaces. Throwing open the door, he bounded out of the cab, and at a dead run, he made a bee-line to where Edmund and I stood.

Edmund was distracted and I could tell that he was worried about his truck and what it might cost if it needed more than a jump. I was tired from the heat and worried about missing lunch, so I barely took notice as Antonio flew toward us wearing his big hat and a pair of bibbed overalls with no undershirt and no shoes.

Reaching us, Antonio exclaimed:

“I’ve found the most amazing thing! You have to come with me!”

Just then a distant tow truck emerged into view as it was slowly making its way up the dirt road. Distracted by the truck, Edmund turned to Antonio and replied, “Can’t do it, man.... Automobile issues.”

Antonio’s expression dropped and he looked at me. Unfortunately, my mind was on my stomach and its daily need for cheeseburgers, so I was no help at all.

And with that brief exchange, Antonio turned and bounded back across the parking lot and into his campervan. He cranked the engine, jammed the clutch into gear, and buzzed away while kicking up a small dust storm in his wake.

And we never saw him again.

As our AAA-approved tow truck driver pulled into the parking lot, Edmund blinked and jerked his head as if he had just returned from being lost in a daydream. He slowly turned to me and said, “What was that just now? What’s going on here? We should have gone with Antonio. Why didn’t we go with him?" Then, beginning to panic, he then said, "I’ve never seen the guy more excited. I wonder what he found? I’ve never heard him use the word amazing to describe something! Oh no, what have we done?”

Nine years later to the month, I still wonder what Antonio had gotten himself into that day. What did he find that was so amazing? Was it some sort of Mississippi river pirate’s treasure? Or, perhaps he had found a mattress at the dump that was filled with hundred dollar bills. Or, maybe he had discovered a heap of jewels under a bridge. Did he witness a murder? He looked a lot like Huckleberry Finn with his straw hat and those overalls…I’ll bet he was down at the Mississippi and he had gotten himself into something fantastic.

Without me verbalizing any of these thoughts, Edmund said, “I wonder what that Antonio guy is doing right now? You remember him?”

“Antonio?” replied Merle as he crushed his empty beer can and threw it into the back of his truck, “Are you going to start in again about that crazy-man and his would-be amazing discovery? Do I have to listen to this story every time your truck needs a jump? You’re living in the past, man. Besides, he probably had just found some rusted-out washing machine or something, and he just wanted you two chumps to help him carry it up to his quote/unquote photography studio.”

“Perhaps, Merle. Perhaps. Unfortunately, we’ll never know. Will we?” replied Edmund. – KPT

The site of the old studio warehouse. In the fall of 2007, everyone was evicted and the building was knocked down.


Knocked down to make way for this - - a new stadium for the Minnesota Gophers football team.


They put up a fence around the footprint of the old building.


Trucks and railcars still like to party together on the dirt road that used to lead to the old studio.